Homunculus trance 2023–24

calico, glazed ceramic, gold lustre, wood, nylon string, synthetic wig, found textiles, glasses and bronze

In Homunculus trance, Emily Hunt teases out the uncanny qualities of marionettes, which have the capacity to unnerve us with their eerie human-like appearance and movements. Hunt’s marionettes are principally influenced by the homunculus in medieval alchemical literature, a miniature figure brought to life by magic.

The six marionettes are based on individuals who are linked with the occult and spiritualism: academic Nevill Drury (1947–2013), artist Mikala Dwyer (b1959), artist Rosaleen Norton (1917–79), art critic James Smith (1820–1919), violinist Leila Waddell (1880–1932), and Hunt herself. With their expressive faces and signalling hands, these marionettes are poised to transport you to an imaginary realm.

The Grotto opened with a series of performances by Hunt and her marionettes, recounting the stories of the lives upon which the puppets are based.

Text by Nick Yelverton

Installation views of the ‘Emily Hunt: The Grotto’ exhibition at the Art Gallery of New South Wales, 22 June – 7 October 2024, photo © Art Gallery of New South Wales, Felicity Jenkins. All other photography Jessica Mauer